The amount of time I have spent at Atlanta's The Drunken Unicorn borders on obsession; fawning over whatever band (the genre of whom almost always includes the term "Post") with an almost childlike resilience. Always impressed but whatever headliner I have come to see and normally surprised by the openers of which I had previously been unaware of their existence (either that or been entertained by their hysterical reach for "indie cred" or whatever they try to do). Though throughout each endeavor, I have yet to see a perfect show; whether the mix was squelched due to an excessive amount of reverb, band cancellations, and the normal opening band catastrophe (though humorous as previously mentioned, it gets old rather quickly, the joke fades, and then boredom sets in). This seemingly meandering diatribe about what could be my favorite venue does have a point. The Sunday, March 19 show at The Drunken Unicorn was perhaps the first perfect show I have ever been too.
After a previous encounter with Shock Cinema (Big Business / The Blood Brothers) which was killed by an awful mix and out of tune vocals, I was not as enthused as I probably should have been for the openers (so much so that I ended up arriving a song or two into their set). Wrong in my expectations as usual, I quickly regretted my tardiness upon arrival. Immediately enticed by their beautiful front woman and further impressed by their very cool brand of post punk, Shock Cinema defied my expectations, blowing whatever sort of post-rock wankery I was expecting right out of the water. The Kubrick / Hitchock montage playing out on a screen behind the band worked surprising well, considering the fact that I've only seen it work for Red Sparowes and Neurosis.
Though this was my first experience with New York indie rockers Rahim, I was not expecting too much. Once again, previous experience has shown that at least band at every Drunken Unicorn show would be sub-par. Wrong once more (I'm starting to see a pattern in my assumptions), I was enamored by their startlingly unique brand of etherial post rock (think more Bound Stems than Explosions in the Sky). Rahim unleashed a solid half hour set punctuated with cameos by Thunderbirds are Now! playing air trumpet (no joke), wonderful vocal melodies, and simply cool synth lines, and definitely left me both impressed and a fan (actually their 'Jungles' E.P. snuck its way into my top 10 favorites of 2005).
Finally, the moment we were all waiting for, Thunderbirds are Now!. The band ascended to the stage and imediately broke out into their patented dance punk spasms. Definitely living up to my personal expectations (hey, at least I got one thing right), they lit up the stage with thier antics (wrapping thier keyboardist in toilet paper) and perfect mix (their sound guy was dead on). Sadly, the set ended up being cut short due to the destruction of their guitar amp (approximately 45 minutes into the set). Still, Thunderbirds are Now! stand as one of the best live acts I have ever seen.